From Following to Oppenheimer, here's why Christopher Nolan remains cinema's greatest modern blockbuster auteur.
Sai Tamhankar plays delicious contradictions of her character in an immensely watchable central performance, applauds Mayur Sanap.
Arshad Warsi can create an air of levity around anybody but Vir Hirani's stiff screen presence as Pritam Parkar has no vibe to match his peevish, pitiable Pedro Gonsalves, observes Sukanya Verma.
Despite a wobbly screenplay and an overstretched runtime, Anbe Diana charms with its light-hearted approach and Ramya Ranganathan's performance.
Alpha is a botched up opportunity, rues Sukanya Verma.
Shaji Kailas delivers familiar mass moments, but Varavu never rises above its dated revenge formula.
Con City has a fun premise and a handful of clever scams, but its biggest con is convincing you it's smarter than it really is.
The live-action Moana faithfully recreates the original, but rarely captures its magic.
Indrans' standout performance deserves a sharper screenplay than this over-edited, all-too-familiar revenge saga, rues Sreeju Sudhakaran.
Satluj is a chilling reminder of what happens when a state is allowed to become judge, jury and executioner, asserts Sreeju Sudhakaran.
Tumbadchi Manjula, the Marathi re-do of Su From So, sustains only by the original's goodwill, notes Mayur Sanap.
Baby Do Die Do struggles to find its footing as it moves from one contrived twist to another, observes Mayur Sanap.
Despite its intriguing premise, Uyir never quite cracks the mystery, relying instead on emotional drama to deliver its final blow.
Nagabandham promises a fantasy treasure hunt adventure but ultimately devolves into a senselessly violent and shallow revenge saga.
Dive into the chaotic world of Ab Hoga Hisaab, a revenge drama that attempts to weave a complex narrative of crime and retribution but often loses its way amidst a multitude of bizarre subplots, notes Deepa Gahlot.
Governor: Simplistic narrative, questionable historical accuracy, underwhelming production quality, notes Sukanya Verma.
The Avengers: Doomsday teaser trailer has dropped, revealing an ambitious, potentially overcrowded multiverse saga featuring Doctor Doom, returning heroes, and universe-colliding stakes that could define the future of the MCU.
As long as its purpose of throwing everyone on the dance floor as they flaunt their toned abs in fancy clothes is served, Cocktail 2 doesn't feel obliged to make any sense, notes Sukanya Verma.
Karisma Kapoor makes a powerful return to the screen in Brown, a compelling series, applauds Deepa Gahlot.
A terrific first half makes I, Nobody look like a great thriller, until an increasingly muddled second half loses the plot, laments Sreeju Sudhakaran.
Before Awarapan 2 tests his comeback, we revisit the 10 films that made Emraan Hashmi the ultimate frontbencher favourite.
From the record-breaking Dangal to the divisive Bawaal, here's a look at Nitesh Tiwari's five films ranked from worst to best.
With no emotionally powerful moment or even a standout epic sequence, everything about Supergirl feels strictly functional, observes Mayur Sanap.
Ali Fazal brings a wounded ferocity to his role that makes it one of his best performances so far, notes Deepa Gahlot.
From Baahubali to Peddi, these blockbuster South Indian films drew criticism for romanticising toxic masculinity and reducing their female leads to objects of desire.
The Ministry of Information and Broadcasting has formed a three-member review committee to investigate the removal of the film "Satluj" from the ZEE5 OTT platform. The film, which depicts the life of activist Jaswant Singh Khalra during Punjab's turbulent 1990s, was briefly available before being taken down, sparking criticism from political parties and Sikh bodies.
Before Shabana Azmi tries to outrival herself in the Batwara 1947 and Awarapan 2 clash, we look at other Bollywood stars whose films released on the same day.
From Joggers Park to De De Pyaar De, these films dared to make the age gap between their unlikely lovers part of the story rather than something to quietly ignore.
Try as it might, Who's Your Gynac? is just not funny, complains Deepa Gahlot.
Despite its uneven storytelling, Super Subbu deserves applause for turning India's discomfort with sex education into an entertaining, often insightful satire, notes Sreeju Sudhakaran.
With Main Vaapas Aaunga as his latest release, we rank Imtiaz Ali's romantic dramas from his underrated debut in Socha Na Tha to his most recent offering of love and longing.
Rajkumar Santoshi's best films prove that few Bollywood filmmakers could mix hard-hitting drama, action, comedy and sheer masala madness quite like him.
Tuner may feel familiar, but its fab sound design, slickly edited heists and strong performances make it feel refreshingly sharp.
The Sheep Detectives is delightful and wholesome in the way family movies used to be before kids started getting too smart to be easily pleased, observes Deepa Gahlot.
Plot loopholes, unresolved arcs and feeble explanations for cruel betrayals, Kartavya's hastily wrapped conclusions and gabby excuses makes it look like a demo reel for a OTT series
Anurag Kashyap, despite his claims of being done with Bollywood, continues to deliver compelling cinema, with his latest film 'Bandar' set to release on June 5.
The Furious's jaw-dropping action scenes are so ferocious and inventive that they leave you gasping for breath, commends Sreeju Sudhakaran.
TVF's popular family series, Gullak, returns for a fifth season, offering a refreshing contrast to crime shows with its focus on the mundane crises of the Mishra family, who navigate new challenges like home renovations, Wi-Fi installation, and the arrival of opinionated relatives.
Ahead of Spider-Man: Brand New Day, we rank every live-action Spider-Man movie from the critically acclaimed Spider-Man 2 to the less successful The Amazing Spider-Man 2.
By taking one of the oldest stories and finding new meaning within it, Christopher Nolan has created the most timely film of his career, asserts Mayur Sanap.
